Vietnam . . .What a Helluva Story!
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The Saigon press corps was a mixed bag
of old time hard-nosed newspapermen like Joe Freid of the New York Daily
News, and lots of young bushy-tailed network correspondents like Morley
Safer, Bill Plante, and Roger Peterson. Morley was then, as he is now,
irreverent and intensely curious. I got to know him and many other network
regulars at the Caravelle Hotel in downtown Saigon. ABC and CBS had their
own floors in the hotel. NBC was across the street in their own location.
Everyone helped everyone else. I was constantly peddling Red Cross story
angles for stateside network coverage, but mostly we hung out and swapped
latest leads and rumors.
A group from ABC I went with frequently ate in Cholon at a great mom
and pop restaurant called the 'Eskimo'.
Morley's
initial fame came from one story in particular, which most TV viewers from
the 60's will remember. It showed American GI's using Zippo lighters to
set thatched roofs afire in a small village. The village was burned as
part of the American policy of rooting out Viet Cong and punishing
villagers who were "VC sympathizers". (The poor bastards
couldn't win either way!) This was right in line with the famous quote
from a MACV press briefer who stated, with a straight face, that ". .
. we had to destroy the village to save it." Yeah boy.
We called the daily afternoon ground and air briefings
at the JUSPAO press auditorium below the Rex Hotel the "Four O'clock
Follies". It was at one of these briefings when a teletype operator
from UPI came in and whispered to a group of us that there had just been a
plane crash at Tan Son Nhut airport. . . in front of a group of boy scouts
being hosted by Premier Nguyen Cao Ky.
One of Ky's pilots was hot-dogging in an AD
Skyraider for the scouts and plowed it in really making a mess. We piled
in a UPI jeep and took off for the main gate of Tan Son Nhut airbase
in Saigon.
Roger Peterson of ABC and his cameraman joined our UPI
group and the photo, (above at right), tells its own story. We
weren't going to be let on the base, even with our permits and
credentials. This was a big-time stonewall attempt by the US as well as
Vietnamese military. The little Vietnamese gate guard, whom you can
see in the background standing by the guard house, saw me take this
picture. I saw that he saw, turned around and quickly rewound the film,
took it out, hid it in the upper corner of my pants pocket and threw a new
roll in the camera just before he wound up in my face, waving a loaded .45
screaming. "You give film! No peechurs! NO PEECHURS! Give film!"
Roger
Peterson, an accomplished and well known journalist, was raising hell with
the American AP guard. I smiled and acted very contrite while making a big
show of opening my camera and dramatically stripping out the film, pulling
it from its green and yellow TRI-X cassette exposing it forever. This
photo from the reel I hid in my pocket was presented to Prime Minister
Ky's press relations office and was the basis of a real nasty formal
complaint brought by the Foreign Correspondents Club. We gained a lot more
freedom of movement as a result of beating this attempt to stifle
reporting.
(above) ABC's Roger Peterson defies stonewall at Tan Son Nhut airbase gate . . .Viet guard
comes after me!
At age 26, after completing 4 years active duty in the US Navy and already working as a TV
Journalist, I had the chance to go to Vietnam as a civilian correspondent for the American
Red Cross to cover their huge presence there. I produced documentaries and filed stories
on their services throughout So. Vietnam, as well as contracting as a 'stringer' for
United Press International.
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